Who it’s for

Anyone who sees a film before the world does

Six kinds of people use a private screening. Find yours: what you are trying to do, how it is done today, and what changes with Lodge.

Producers

You want to

Get the film in front of a platform, a distributor or a co-producer — quickly, and before anyone else has seen it.

Today

A Drive link or a file sent to an acquisitions inbox. Once it is sent, it is out of your hands: forwarded internally, downloaded, and still sitting in someone’s folder a year later.

With Lodge

Show the first act, or the whole film, at a time you agree. Every viewer’s name is on their screen, the room closes on time, and you get a report of who watched and for how long — useful when you follow up.

Most producers show the first 20–40 minutes first. Chosen-part-only is the default, not an extra.

Directors & editors

You want to

Get notes on tonight’s edit from a producer or an actor who is in another city — without waiting for everyone to be in the same room.

Today

Booking a preview theatre and lining up six diaries, or sending a rough export that then becomes “the version” people keep quoting.

With Lodge

Send the reel or the scene that needs notes. Everyone watches together, you pause the whole room on the same frame to talk it through on your usual call, and the clip is gone a week later — so old cuts do not circulate.

The Reel plan fits a cutting room: four films a month, as many screenings of each as you need.

Studios, sales & distribution

You want to

Show a film to several buyers or exhibitors, fairly and without any of them learning who else is looking.

Today

One screener link per buyer, each a full copy, each one more place the film can leak from — and no way to know if a buyer actually watched.

With Lodge

Invite each buyer by name. No guest can see the rest of the guest list — that is enforced in the database, not hidden in the interface. The report shows who turned up and how much they watched.

For pre-release at studio scale, the Studio plan adds contractual custody terms and can include DRM.

Platform & acquisitions teams

You want to

Watch submissions quickly and safely — and never be the team a leaked screener is traced back to.

Today

Dozens of links and files from producers, each with a different login, many of them downloads that now live on a work laptop.

With Lodge

Open the invitation in a browser, type a six-digit code, watch. Nothing is installed and nothing is saved on your machine. The viewer pays nothing — a platform never needs a Lodge account.

If a producer you are evaluating uses Lodge, you are a guest. There is nothing to set up.

Actors & their managers

You want to

See your scenes or the cut before release, privately, at a time that suits your schedule.

Today

A file on your phone, or a copy sent to a manager, which is exactly where leaks get blamed.

With Lodge

A private screening at a time you pick, in any browser. Nothing lands on your phone, and the visible name on the screen protects you as much as the production: it shows the copy was yours and nobody else’s.

Talent screenings are usually short — just the scenes. That is a normal screening on Lodge.

Music, VFX, dubbing & post

You want to

Get sign-off on your part — a song, a VFX sequence, a dub — without being sent, or sending, the whole film.

Today

The whole film comes to you to review three minutes of it, and your studio becomes one more place a full copy lives.

With Lodge

The production shares only your sequence. You watch it together, agree the notes, and the report records that approval was given, and when.

One screening at $99 covers a song approval with everyone who needs to be in the room.
Worked example

Pitching a film to a streaming platform

A week, from finished cut to follow-up. Names and times are illustrative; the steps are exactly what Lodge does.

Monday

Choose the part

A producer in Mumbai has a finished cut and a meeting request from a streaming platform. She marks the first 38 minutes — the part that sells the film. Lodge makes a clip of exactly that.

Tuesday

Invite by name

She invites four people at the platform by email: the acquisitions lead, two colleagues and their head of content. They choose Thursday, 8:00 pm IST. Each gets a calendar invite with no link in it.

Thursday, 7:55 pm

The seat check

As they open their rooms, the producer sees green, amber or red for each person — one is on a slow connection, and there is still time to tell them.

Thursday, 8:00 pm

Watch together

Thirty-eight minutes, all four watching at once, each with their name on their screen. She pauses the room twice to answer a question on their usual video call.

Thursday, 8:40 pm

It closes

Ten minutes’ warning, then the room goes dark. Nobody holds a copy; there is no link to forward. A week later the clip itself is deleted.

Friday

The follow-up

Her report shows all four joined and three watched to the end. She follows up knowing that — and if a recording ever surfaced, the name on it would say whose screen it was.

Does one of these sound like your week?

Tell us what you need to show and to whom. A person replies, usually within a working day.

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